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crisis of character

nicole servais – teacher, writer, personal disaster

change came as a hard rain
and it pelted down moments and memories
all i could take of me when i went gone
was the breath that I carried within me

every last photograph, the letters I wrote you
the shoes that I wore on our wedding day
the notes from lunch boxes, the deed to my car
there was so much of me you were giving away

it wasn’t me there anymore
and it hadn’t been for many a year
perhaps it had never been me there at all -
there was just the girl who said what you wanted to hear

and you loved it, you loved her
her sheen of perfection
which was really just the effort
of holding herself in

like a warden throwing a piece of soapstone
through the poster of lovely raquel
and, a second later, his finger, his arm
had uncovered the path that was taken from hell

and the instant you recognized you never knew me
all that we’d been just ceased to exist
and the hole that was left in the middle of us
was perfectly sized to hold one of your fists

and you shaved off my hair
and you sent it to clinics
and you looked for the reason
I no longer belonged
and you set out my furniture
and set fire to my effigy
and you sent bodyguards
to point out my wrongs

and you took all my friends
and you took all my dignity
and you took all my money
and you took all my pride
and you took all my spirit
and you took all the sympathy
you took all of it, honey,
then left me to die

you took all except the breath
that I carried within me
the one that I took with me
when I went gone.

*the above came out as a stream of consciousness, single take poem. I did not wordsmith or tweak. It’s just raw, and it feels like a song in the making.

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Cover of the Wilco tune “You and I” that featured Feist.

your soul was sold down the river
for a share of the good life
for safety, for keeps

bombshells dropped like flies
(the ones you unzipped)
and you cut through the waves
a figurehead, naked and straining,
ahead of your game by a country mile

and the salt crusted your eyelashes
and turned your hair from gleaming copper
to oxidized verdancy
and the austere beauty of your effortlessness
converted to acrimony
acid poured from your lips
you dared them all to drink it

and they did.

There is a birdhouse
in a garden
in front of a cottage
that I walk past most every day.

“Happy Anniversary
My Love, Always”
with a butterfly burned
into the wooden panels.

And every day I wonder
how long they’ve been
in love with each other
and whether they still are.

Today I saw the woman
(Her name is Althea.
I know this because
it’s on the birdhouse.)

She looked happy there
in that garden with that birdhouse
and the length of the love
no longer mattered

What mattered instead
was that one fine year
he had loved her enough
to make her that birdhouse

And I suppose I had the
pedestrian thought that,
in spite of everything,
I still hope for a birdhouse.

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it won’t hurt if you do it fast
the needle pinch
or the burn of last summer
on your skin

but you crave the agony
so drag it out
like a scratch in the vinyl
it’s skipping

set it down in the crook of your arm
get it down on paper and don’t let it disarm you
hold it down and welcome the harm as a harbinger
fold it down to contain your alarm and then

breathe

if

you

feel

that

you

can’t

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a hideous assortment of shoes spread out across the room
attached to legs that shook to the rhythm of your voice
which, if I closed my eyes, sounded all too familiar-
that pitch, that timbre, that tone
that goddamn slow southern drawl
that yawned out the boredom of a thousand women
eventually distilled to one.
and you strummed and you sang
a troubadour of failure
and my lashes lowered, resisting reality
and you became him
and I became the girl I once was
before I ever heard of your singer-songwriters
with their catchy triplicate names.

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Concerts make me want to dial your number the way a junkie wants her drugs when she sees a needle -
despairingly, yearning for the pinch that will set her free.

I miss the sweet oblivion we used to make, but my fatal mistake was thinking it was created

It took me so long to realize that you can’t manufacture nothing.

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at 9:36 PM on a Wednesday
my phone whined like a petulant cicada -
(you know the ones, about to croak
in the parched Gobi of August,
about to scatter their carcasses on sidewalks)

I should have guessed from the plaintiveness
of that cellular trill
that it could only be you
traveling back from wherever you were hidden
behind the trees or the reeds or the drums
to smirk knowingly at my ghost.

and the nausea rose up my throat
and the blood rushed through my veins -
my first instinct was to mistake illness for love.
(You know the kind, that causes toes to
pop upward in a disney dream,
about to smother your realities with so much wishing)

and I realized that most of what I felt with you
was not anticipation,
but fear.

sheer.
deadly.

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I keep writing songs and then hiding them like secrets.

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I’ll admit it. Seeing Kathleen Edwards live was what pushed me to go electric.

And her song “Pink Champagne” could just as well be my life story as it is hers. I love it. I had to learn to play it.

Cue to Sunday.

http://soundcloud.com/nicolecservais/pink-champagne

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